Three killers. Three women who don’t look away. Three love stories that begin where the safe ones end.
Each book in the Beautiful Monsters series is a standalone dark romance with its own couple and complete HEA. Connected by a criminal underworld, escalating stakes, and the question every heroine must answer: what happens when the most dangerous man in the room is the only one who sees you clearly?
Book 1 — Heartless Kill (Iris & Zack)
“He was hired to eliminate her. He couldn’t pull the trigger. Now someone wants them both dead.”
Iris Snow has spent twenty-six years making herself palatable — the perfect friend, the careful professional, the woman who never asks for too much space. When she witnesses a professional execution in a dark alley, she becomes the one thing a contract killer can’t afford: a loose end with a face.
Zack Mercer doesn’t make mistakes. He doesn’t spare witnesses. But something about the woman who meets his eyes in the dark and doesn’t scream makes him hesitate — and in his world, hesitation is a death sentence.
Staying together wasn’t the plan. Falling wasn’t supposed to be possible.
Alternating First Person (Iris & Zack) • HEA
Book 2 — Ruthless Rules (Wren & Silas)
“He watched her watch him kill. She didn’t scream. He couldn’t walk away.”
Wren Harlow has been performing fine for so long she’s forgotten what real feels like. When she witnesses a professional execution in the alley behind her bar, she does the one thing she shouldn’t: she meets the killer’s eyes and doesn’t run.
Silas Crane doesn’t make exceptions. Witnesses don’t survive his contracts. But Wren Harlow doesn’t flinch — and something about a woman who looks at him without fear makes thirteen years of rules negotiable.
Now they’re both fugitives, and the only option is to burn their old lives and disappear together.
Alternating First Person (Wren & Silas) • HEA
Book 3 — Beautiful Pain (Thea & Dante)
“She came looking for an ending. He was supposed to be it. Neither of them could finish what they started.”
Thea Morgan hasn’t felt anything in years. Not fear. Not hope. Not the will to choose her own direction. When she walks into the warehouse district on a wet October night and kneels in the rain, she is done fighting the static.
Dante Moreau has a pattern — methodical, controlled, and never broken. Until the woman kneeling before him tells him her name, gives him her surrender, and breaks every expectation he has for how this ends.
He takes her to his loft. She stays. They negotiate a safeword, consent rules, and the fragile architecture of something that should not exist. And in Dante’s world, the static that has been killing her begins, impossibly, to quiet.
Alternating First Person (Thea & Dante) • HEA
Throughout All 3 Books
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$364 (R6,000)
1 in stock
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