Twenty years after a rock band broke up, somebody finds the tapes. One of them still has his ex whispering his name before the count-in.
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Bad Tenant can finish its last record if the band can bear to play side B. Yvette hears the bass line she lost to Nico at an audition. Toni hears a rhythm that takes her straight back to a tap class, an upright piano and one very good kiss. June has let almost everyone hear her sing except the DJ her last song is for.
Four open-door romances unfold above a Minneapolis bowling alley as the musicians decide which moments they can share with an audience and which belong to just two people. The free novella begins with a cassette labelled WASHING MACHINE and an engineer who recognises her own laugh.
An unlabelled cassette brings the original engineer back. A bassist recovers the groove that ended a friendship. A drummer finds the nerve to play an embarrassing truth. The duet partners reclaim their private count-in, and the frontwoman finally lets the last song be heard in a room small enough to recognise every face.
The direction is set. The books are written after you order.
One side of Gus’s cassette is labelled WASHING MACHINE. The other has Astrid laughing halfway through a guitar solo. She remembers the solo, the wet walk back from the studio and every word he failed to say. Salvaging the tape means spending three nights in the room where they got good at everything except each other.
Yvette once beat Nico at his own audition. The band hired him anyway. Now the only surviving demo has her bass line on it and his name pencilled on the box. Nico asks for a rematch, one afternoon, two amplifiers, loser buys dinner. Yvette plans to order something very expensive. Then he plays the second half, the melody he wrote the night she left town.
Bad Tenant’s filthiest-sounding demo is actually three minutes of Toni having a terrible time in a beginner’s tap class. The only person with the original count is Ansel, the earnest pianist she once kissed behind the piano. Ansel agrees to reconstruct the rhythm if Toni comes back to class. A stadium drummer reduced to counting aloud would be bad enough. Her teacher still has very nice hands.
Their fans know the famous four-count by heart. Only Damien knows that just before it, Zak used to whisper his name. The duet partners were secretly together when the band broke up. Now somebody has found a live track with the whisper intact. To decide which four seconds belong on the record, they must listen to the part that comes before the music.
There’s a track June has never let a producer finish. It contains the dedication she made to Del on the night her band fell apart. He took the station to dead air so nobody else would hear it. For twenty years she has wondered what he would have played next. Now she has one empty groove on a record and the station’s old request number still works.
The bonus cassette reveals a bass part only one local player can finish. June calls her back to the practice room in Book 1.
Includes the author pitch, editable Authorythm seeds and individual AI-generated front-cover concepts. The planned fiction totals 250,000 words.
Buy the 4-book concept pack and receive the companion lead magnet concept free. Each novel is planned at 55,000 words. The lead magnet, Kiss the Hiss Goodbye, is planned at 30,000 words.
Author pitch PDF with the series premise, characters, book blurbs and complete story arcs. One editable Authorythm seed document. 5 coordinated front-cover concepts.
Order this pack and your series enters our production queue; we confirm your scheduled start.
$235 per book
Order this packEach pack is only sold once.
Until 3 December: your concept comes with two On-Demand classes of your choice and six TropeSmith Maps.
Paid in full to reserve your slot · not refundable · free revision against your brief · Terms · Prices are in US dollars; Stripe may show your local currency at checkout · processed by PlotProse (The Coral Hart Group)
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