“Three racing seasons. Three forced-proximity housing mandates. Three couples who discovered that the only honest space on the entire circuit was the one the brand didn’t own.”
The world rally circuit runs on performance — on the track and off it. Sponsor dinners, post-race interviews, branded content delivered on command.
Across the trilogy, three pairs of drivers and co-drivers are pushed into shared housing by the same corporate “proximity mandate” — and inside three cramped trailers and motor coaches, each pair builds the same unlikely thing: a structure of written rules, negotiated consent, safe words, and the specific relief of a space where neither of them has to perform.
Threaded through every book: Victoria Sterling, the executive whose proximity mandate begins as a brand-content strategy and escalates, season by season, into surveillance, sabotage, and the weaponising of private vulnerability for corporate value.
Each book ends with a public reckoning that wrests the narrative back out of her hands.
Book One — Apex Authority (Piper & Roman)
“She drives to prove she belongs. He controls everything — until her surrender becomes the one thing he can’t manage.”
Piper Thorne has been called a nepotism hire since the moment she arrived on the world rally circuit. Roman Pierce has spent fifteen years building a career on absolute control — of his car, his environment, and everything he refuses to admit is failing.
Victoria Sterling’s corporate mandate is simple: share a trailer, generate content, sell the brand. What happens inside that trailer was never in the brief.
They build rules. Real ones — with safe words, written clauses, and a pink marker for amendments. It’s supposed to be simple. Instead, it becomes the most honest thing either of them has ever done.
Then a four-second audio clip detonates everything. And both of them will have to decide what they’re actually willing to surrender — before the season, and the arrangement, expires.
Rivals-to-Lovers • Grumpy × Sunshine • Alternating First Person (Piper & Roman) • HEA
Book Two — Slipstream Surrender (Gemma & Silas)
“One motor coach. One factory seat. The only thing more dangerous than competing with him is surrendering to him.”
Gemma Brooks is the most sponsored driver on the Asian circuit and the most exhausted. Every smile, every post-race interview, every sponsor dinner is a performance she delivers on command. Silas Thorne is her most dangerous rival and the most private man in the paddock — protecting a family team with an insolvency problem and a laminated bathroom schedule that communicates far more than he intends.
Victoria Sterling’s proximity mandate is a brand-content strategy. What develops in the cramped motor coach galley — formal rules, negotiated consent, and the specific relief of a space where Gemma stops performing — was never in the brief.
The factory seat is still the prize. But somewhere between the laminated protocol and the fastest sector she’s ever driven, Gemma stops being sure what she’s actually competing for.
When Thorne Racing’s financial records are leaked and Gemma is framed as the source, everything they have built is destroyed in a morning. And Silas will have to decide whether he trusts the evidence or the person — before the choice becomes permanent.
Enemies-to-Lovers • Laminated Consent • Alternating First Person (Gemma & Silas) • HEA
Book Three — Apex Control (Chloe & Julian) • Series Finale
“Her notes put him on the podium. He called her a helpful assistant. The telemetry says otherwise.”
Chloe Jenkins annotates the world in neon. Her pace-note system is the best on the European rally circuit, and her colour-coded maps are the reason Julian Vance has won three consecutive stages without quite understanding why.
Julian knows exactly why — and he has a medical file, a declining shoulder, and a corporate narrative that cannot survive the truth.
Victoria Sterling’s brand compliance binder has rules about colour palettes. It has no rules about what happens in Unit Four when the door is locked and Chloe has surrendered her neon chaos to Julian’s precise commands. The arrangement works. The results are undeniable.
And then Julian reads a teleprompter line — on live television — that describes his co-driver as a ‘helpful rookie assistant.’ And everything they have built collapses in a single sentence.
Chloe has the telemetry printouts, the medical file Declan pressed into her hands, and exactly one chance to force a public reckoning. Julian has a live broadcast and a confession he has been rehearsing since the first time he admitted his shoulder was failing. Both of them have everything to lose.
Workplace Slow Burn • Grumpy Veteran × Sunshine Rookie • Alternating First Person (Chloe & Julian) • HEA
Throughout All Three Books
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R6 000,00
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