“Three enforcers who were sent to make them disappear. Three women who refused to vanish. One centuries-old society that didn’t survive the men who chose to keep them.”
The Seven Deadly Rules series follows three enforcers inside a centuries-old secret society that trades in silence, death, and the removal of anyone who sees too much. Each man is given an assignment: make her disappear. Each man breaks the protocol. A photographer who captured the wrong face on film. A homicide detective who built a case too close to the truth. A daughter sold by her own father into the blood games. Three women who should have been erased — kept alive by the men who were sent to silence them.
Rule of Possession opens with a kill at a gala and a photographer who saw too much. Rule of Retribution puts a philosopher-killer in a penthouse with the detective he was assigned to stage as a suicide. Rule of Ruin closes the trilogy when the society’s most efficient instrument defects, shoots the guards, and carries out the daughter he was never supposed to save.
The enforcers are morally grey. The women are furiously alive. And the rules the society built to last centuries break the moment its weapons choose love over protocol.
Book 1 — Rule of Possession (Mira & Elias)
“When a society enforcer kills a man at a gala and the only witness is the woman he was sent to silence, the most dangerous rule he’ll ever break isn’t the kill — it’s keeping her.”
Elias Kain has spent twelve years as a ghost — a clean, efficient enforcer for a centuries-old secret society that trades in silence and death. He doesn’t keep people. He removes them. Until the night freelance photographer Mira Caldwell points her camera at the wrong man and captures the wrong face on film.
Mira saw his face. She photographed his kill. The society’s protocol is unambiguous: she has to disappear. But Elias makes a choice no twelve-year career prepared him for — he takes her instead.
Now Mira is legally dead, hidden in a glass penthouse, and hunted by the very organisation that made Elias into a weapon. And Elias is discovering that the most dangerous variable in any operation he has ever run is not the society closing in, or the inspector at his door — it’s the woman who refuses to be afraid of him.
Possession vs. partnership. Rehumanisation through love. And the cost of secrecy in a world built on institutional corruption.
Alternating First Person (Mira & Elias) • HEA
Book 2 — Rule of Retribution (Vera & Silas)
“His assignment was to stage her death and make it look like suicide. His mistake was letting her live long enough to matter.”
Silas Thorn is the society’s philosopher-killer — precise, detached, and armed with a moral framework built to justify whatever the council requires. Assignment 847 should have been routine: eliminate homicide detective Vera Moreno, stage a convincing suicide, close the file on a woman who got too close to the society’s most protected secrets. He sedates her instead. Takes her to his penthouse. Keeps her alive.
Vera has spent two years building a case against the man she believes ordered her sister Rosa’s death. Now she’s legally dead, furiously alive, and trapped with the enforcer who was sent to erase her — the one man who might be the only person with the evidence to help her finish what she started.
As the society closes in and the rules Silas was born to follow begin to fracture, both of them will have to decide how much they are willing to burn — and who they are willing to become — to survive.
Alternating First Person (Vera & Silas) • HEA
Book 3 — Rule of Ruin (Thea & Matthias) — Series Finale
“Her father sold her into the blood games. He shot the guards and carried her out. Now they have to burn an empire to the ground before it burns them first.”
Thea Harrington was raised to be her father’s most valuable asset: poised, useful, and ultimately disposable. She learned to count exits. She learned to perform. She learned, above all, that Graham Harrington’s love was conditional on her usefulness — and that her usefulness had an expiration date.
Matthias Creed is the society’s most efficient instrument — thirty-four executions in service of an organisation he has never questioned. He questions it the night he sees Thea’s transport manifest and does something no enforcer does: he defects. He shoots the guards, takes her out of the vehicle, and tells her the safehouse door isn’t locked. She can leave whenever she wants. She stays.
And everything that follows — the ambushes, the betrayals, the truth buried in her mother Caroline’s hidden files, the conspiracy that spans decades — requires both of them to become something neither was trained to be: partners.
The explosive, emotionally devastating series finale. Reclaiming agency from systems that objectify. Redemption through accountability. And a truth that costs everything before it saves anyone.
Alternating First Person (Thea & Matthias) • HEA
Throughout All 3 Books
Series Details
Content Warnings
Heat Level
What You Get
R6 000,00
1 in stock
